Director: Filip Šovagović
Assistent to the director: Janko Rakoš
Dramatization Assitant: Dubravko Mihanović
Set Design and Author of the Sketches: Veronika Radman
Costume Design: Marita Ćopo
Music: Andrej Jakuš, Saša Miočić i Filip Šovagović
Band the Bond: Boris Leiner
Video and Animation: Josip Visković
Lighting: Zdravko Stolnik
Movement Consultant:Pravdan Devlahović

Cast:
Arterije Fraz Vraz Filipović:Janko Rakoš
Irena Fraz Vraz Filipović Povlaka Pavleka: Mirjana Majurec
Pizo Tetejac a.k.a Tesla: Đorđe Kukuljica
Leopoldije Sv. Munivrana: Ranko Zidarić
S. Habib: Ivana Bolanča
Mrkva: Enes Vejzović
Mirko Fraz Vraz Filipović: Franjo Dijak
Maja Fraz Vraz Filipović: Nataša Janjić
Kukananović: Dragoljub Lazarov
Producent Tarabamaločamunižabaderonjaogulinac: Marino Matota
Omazić: Siniša Ružić
Multipolarna Ticaklapalica: Ana Kvrgić
Mali Pavle: Nenad Cvetko
Dobri bubnjar: Boris Leiner
CUE (Completely Unimportant Episode): Filip Šovagović
Prosinečki: Robert Prosinečki

Location: Zagreb, Hrvatska
Mićula Mala, BiH
Time: Nekad

Music Production: Andrej Jakuš i Saša Miočić

Stage Manager: Ina Krklec
Prompter: Snježana Majdak

Opening night: January 29, 2009

This ''theatrical experiment'' which will have its opening night on the stage of the author's parent theatre is an unconventional stage performance, in genre terms half way between confessional prose and a play. By illustrating the Croatian reality through dialogues that seem like a transcript of the everyday situations which do not let us ''be shaped'', Illiad 2001 captures us with humour, warmth, directness and, most important of all, credibility. ''Something nice has to be going on'' writes Šovagović in his text, resolutely refusing to concur with the general thought that pesimism is Croatia's national trait and juxtaposing creation-as-a-principle with such attitudes. The involvement we are invited to requires an alive dialogue, therefore a different opinion, disagreement, insubordination from the audience, as well as the actors. ''Every day when I would come to the theatre, I expected that something might happen, but that something would rarely happen, almost never'', says Illiad 2001 announcing itself as a theatre that believes in the imagination of reality, trying to produce the aforementioned ''something'' from the overwhelming resonance of the everyday life, out of spite towards the so many times encountered ''nothingness''.